Pigpen, on what would prove to be his last tour with the Grateful Dead, is well-represented by three songs, including the broadcast’s opening number, “Hurts Me Too”. The show’s many highlights include an overview of the Dead’s 1972 touring repertoire, including magnificent versions of “China Cat Sunflower>I Know You Rider”, “Big Railroad Blues”, “Truckin’”, and many more of the Dead’s classics, as well as the first live performance of “He’s Gone”, and other new songs including “Ramble on Rose”, “Jack Straw”, and “One More Saturday Night”. Now, fully restored and color corrected in High Definition with audio mixed from the 16-track analog master tapes by Jeffrey Norman and mastered by David Glasser, Tivoli 4/17/72 features nearly an hour and a half of the Grateful Dead at a peak of their performing career. This ground-breaking concert broadcast event was the Dead’s first major live concert broadcast, and a first in Danish television history. The sixth show on the Grateful Dead’s famous Europe ’72 tour was a return engagement to the Tivoli Concert Hall in Copenhagen, Denmark, on April 17, 1972. It read Grateful Dead in the same curving, mysterious, psychedelic font as the cover of their album Aoxomoxoa, a nonsensical palindrome. This year we’re celebrating the 50th Anniversary of the legendary Europe ‘72 Album, by bringing the previously unreleased Tivoli Concert Hall, 4/17/72 performance to the big screen. So that poster is a case of “modified typeface”.The Grateful Dead return to cinemas worldwide for the 2022 Meet-Up At The Movies. In contrast, the designer of the Spanish poster probably worked with Futura and made changes directly to its prefabricated letterforms (like cutting corners, extending strokes, or making a new A from parts of an N). Right: a resetting in New Zelek (using the digitization by Threedotstype) Left: the film’s title as shown on the US one sheet poster This hence is a case of “lettering derived from typeface”. The differences go beyond the larger changes like the A and V, and also extend to details like the stroke thickness, the counter size in D, and the angle of the cut-off corners. They rather drew the letterforms from scratch, in the spirit of Bronisław Zelek’s typeface. I doubt that the designer worked with the typeface and modified it. I agree with you that the design of the title on the US poster follows New Zelek. Grateful Deads American Beauty (seen here in a 50th anniversary edition from Rhino Entertainment) is the shared obsession of two NPR staffers born decades apart. The latter is for cases where a typeface was directly involved, but got altered by the user. English Français Español Deutsch Italiano Português. The former is for manually drawn (or otherwise freely rendered) letterforms which are unmistakably based on an existing typeface. Browse by alphabetical listing, by style, by author or by popularity. Deluxe Edition Blu-ray includes the movie transferred from the original 35mm film negative. We have two similar tags, “ lettering derived from typeface” and “ modified typeface”. Grateful Dead - 'The Grateful Dead Movie' - Co-directed by Jerry Garcia, The Grateful Dead Movie was originally released in 1977 and captures performances from 5 shows at San Franciscos Winterland Ballroom in October 1974. Title card shown at the end of the trailer to Evil Dead Also note the missing article in the title in both instances. The Grateful Dead Font Generator Tool is useful for designers looking to incorporate the iconic Grateful Dead fonts into their designs. At least it shares the typographic choices made for the trailer to the film, which has a MCMLXXXII (1982) date. The poster featuring ITC Serif Gothic and ITC Souvenir might predate the others.
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